Helping you open windows of opportunity worldwide. (But mostly in Germany)
About Me
That’s what a former colleague at blood, a creative agency in Hamburg, once called me. Flattering, sure but also kind of accurate. I tend to slip into different roles depending on what’s needed: branding, motion, illustration, socials, sometimes even projects that don’t fit neatly into a box.
What ties it all together is the usefulness. I like design that actually does something. Whether that’s building a visual identity for a cultural space, shaping an event series, or creating something weird and conceptual just to see where it leads.
*Things is intentionally broad. Everyone got their thing, my thing is making your thing work.
My past loves
Before we get to the actual works, I want to take a moment to thank those who came before you and entrusted me with their thing. I’m confident they are just as happy with the result as I am.
My Works
Like every creative, I love doing projects, but I hate keeping my portfolio updated. So here is a selection of somewhat recent projects.
001
“Alte Liebe, Neuer Look” (old love, new look) was the guiding motto for the rebranding of Dornheim Würzburg, a hub for (sub)culture in lower frankonia.
002
Atavola is my most ambitious project so far. What began as a university assignment quickly grew into something much larger…
003
For the renowned cultural venue E-Werk Erlangen, I developed the visual identity for High Voltage, a recurring electronic music event series.
004
Mattia Pironti is a Canadian singer-songwriter whose global journey has taken him across the world and earned him all four chair turns on The Voice of Israel.
FAQs
Yes, selectively. If it’s a project that needs both clarity and ideas, I’ll probably be interested. If you want me to just "make something look pretty," less so.
Contact me here!
I enjoy shifting between branding, motion, illustration, and more conceptual work. The variety keeps things sharp. Therefore, none of my projects is the same and pricing depends on the specifics of your project. But I will always make sure it's worth what you pay.
Because I can keep pace with the times. AI, automation, social networks. They move fast, and they can overwhelm. A lot of designers dig in their heels and work against that current. I’d rather move with it, adapt, and find ways to keep good design relevant inside that flow.
Plenty. But honestly, tools come and go. You can always learn a new piece of software. What matters more is the conceptual side: design is brainwork before it’s handwork. That’s why I feel at home across projects in graphic design, motion, animation, illustration, and more.
Mayo, Definitely.